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Barimar – Permette Un Ballo Vol.5

Barimar – Permette Un Ballo Vol. 5 combines twenty-four selections across Italian social dance and ballroom rhythms. Rosamunda opens as Polka, followed by C’est si bon, Las Chapanecas and Quizas Quizas Quizas. La Cucaracha, Begine the Beguine and Tarantella napoletana continue a varied sequence that includes Waltz, Mazurka, Tango, Rumba and Cha Cha. Later titles include Il venditore di uccelli and Non ti scordar di me. The 1998 programme provides its original dance labels and individual playing times.

Product Details

Format: MP3
Year: 1998
Catalogue Classification: Standard
Catalogue Language: Italian
Artist: Barimar
Dance Repertoire: Italian social dancing; mixed rhythms as individually listed

Original price was: $29.00.Current price is: $6.00.

Product ID: 26105 Category: Music

Description
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Permette Un Ballo Vol. 5 is Barimar’s 1998 dance-music collection with 24 supplied entries. The repertoire combines Italian social-dance forms such as waltz, polka, mazurka and tarantella with tango, rumba, beguine and cha cha. Each recording keeps its original rhythm label and playing time.

Rosamunda opens as polka, followed by C’est si bon, Las Chapanecas, Quizas Quizas Quizas and Fiori di Spagna. La Cucaracha and Reginella campagnola lead into Begine the Beguine, El rancho grande and Tarantella napoletana. This early sequence illustrates the album’s mixed repertoire rather than a block of one dance throughout.

Later selections include Il venditore di uccelli, Non ti scordar di me, Amico tango and Suona la fisarmonica. Ciliegi rosa supplies a cha cha before further waltzes, polkas and the mazurka Lori. Blue Spanish Eyes, Tocco di classe, Quadriglia di famiglia and Poker precede the closing tarantella Pellegrin che vien da Roma.

For a music library centred on Italian social dancing, the album offers both local dance forms and familiar international song titles. The original genre wording gives more specific information than a broad Standard category, while the durations help identify individual recordings. The full twenty-four-track programme is retained without replacing original spellings or assigning unverified tempo values.