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Barimar – Permette Un Ballo Vol.3

Barimar – Permette Un Ballo Vol. 3 brings twenty-four recordings to a varied Italian social dance programme. Guantanamera opens as Cha Cha, followed by Tesoro mio and the source-labelled Waltz Espana cani. La golondrina appears as Rumba, Can Can as Galop and Sulle rive del Weser as Mazurka. Tango delle capinere, Blue Moon and Tico tico add further repertoire. The 1998 collection also includes Samba and Charleston, with individual rhythm labels and playing times identifying the arrangements in this edition.

Product Details

Format: MP3
Year: 1998
Catalogue Classification: Standard
Catalogue Language: Italian
Artist: Barimar
Dance Repertoire: Italian social dancing; mixed rhythms as individually listed

Original price was: $29.00.Current price is: $6.00.

Product ID: 26103 Category: Music

Description
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Permette Un Ballo Vol. 3 is Barimar’s 1998 collection of 24 dance-music recordings. Its supplied rhythm labels span waltz, tango, cha cha, rumba, samba, mazurka, Charleston and several other Italian social-dance categories. The programme’s scope is broader than a five-dance Standard anthology.

Guantanamera opens as cha cha, followed by Tesoro mio and the source-labelled waltz Espana cani. La golondrina is a rumba, Can Can a galop and Sulle rive del Weser a mazurka. Tango delle capinere, Blue Moon and Tico tico add further contrasting entries. The original labels identify the versions in this release, even when another recording of the same composition is associated with a different dance.

The later programme includes Il padrino, Violetera, Il concerto di Aranjuez, Estrellita and L’amore è una cosa meravigliosa. Yesterday and Ave Maria precede Perfidia, Laguna addormentata, Lola, Incantesimo and the closing Petite fleur. Different slow, moderate and specifically named dance categories remain visible in the complete list.

For someone exploring Barimar’s Italian social-dance repertoire, the collection provides varied rhythms and recognisable melodies with individual timings. The original Italian terms, including combined rhythm labels, are preserved rather than forced into a narrower modern syllabus. All 24 entries remain in their original order, with no unsupported vocal or technical teaching claims.