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NDMI – Latin We Are The World

Unite the Dance World with Sovereign Artistic Mastery and Elite Kinetic Firepower: Latin We Are The World (NDMI Premium 48-Track Double-Album Collection) Ignite your training sessions and dominate the competitive arena with Latin We Are The World, a monumental double-album masterpiece brought to you by the prestigious NDMI label. Explicitly calibrated for open-level athletes, professional coaches, and ambitious pro-am couples, this high-fidelity digital audio archive unloads 48 studio-optimized, tempo-locked weapons across the International Latin disciplines. Created through the legendary collaboration of Mattia Di Renzo and the elite Olivato Dancesport Orchestra, this collection delivers breathtaking ballroom re-edits of global masterpieces like We Are The World, Dance Monkey, Freed From Desire, Sultans Of Swing, In The Mood, and La Grange. Featuring NDMI’s signature benchmark frequency separation and an unyielding competitive downbeat, this digital master is a non-negotiable asset to instantly transform your floor authority!

  • Format: High-Fidelity MP3 Digital Album (48 Tracks)

  • Discipline: International Latin (Strict Ballroom Rhythm Standard)

  • Runtime: Massive Double-Album Comprehensive Curation

  • Orchestra: Olivato Dancesport Orchestra & Mattia Di Renzo

  • Brand: NDMI Records

Original price was: $39.00.Current price is: $17.00.

Product ID: 15426 Category:

Where Unified Global Melodies Meet Rigid Competitive Metrology

Bring the electric, unifying atmosphere of an international grand final straight into your daily studio training space with NDMI – Latin We Are The World. This premium 48-track archive masterfully converts global chart-toppers, classic rock anthems, swing jazz, and sizzling electro-rhythms into strict, tempo-locked weapons for elite ballroom athletes. Every single track across this double-disc collection is studio-balanced to eliminate unpredictable live drifts, bridge dropouts, or hollow introductory gaps, ensuring an absolute, continuous downbeat from start to finish. Featuring NDMI’s benchmark frequency separation, it keeps critical percussive cues—heavy congas, sharp cowbells, and electronic snaps—beautifully distinct beneath dominant vocals to eliminate mechanical step-counting, unlock boundless polyrhythmic power, and project a commanding, still posture.

TRACK LISTING

DISK 1 — SAMBA & CHA CHA

1. SAMBA (SB) — High-Velocity Carnival Pulse & Polyrhythmic Bound

  1. Peppeo – A. Olivato (Samba)

  2. Taj Mahai – Salomè de Bahia (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Samba)

  3. Funk Tha Bossa – Mattia Di Renzo (Samba)

  4. Capocabana – M. Pagani (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Samba)

  5. Mi Ritmo Samba – A. Olivato (Samba)

  6. 16 Toneladas – Merle Travis (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Samba)

  7. Contorsionate – Mattia Di Renzo (Samba)

  8. Senoras y Senores – A. Olivato (Samba)

  9. Dracarys – Mattia Di Renzo (Samba)

  10. El Ragadan – A. Olivato (Samba)

  11. Zemlot – Mattia Di Renzo (Samba)

  12. Cassombea – A. Olivato (Samba)

  13. El Ritmo Fatal – Mattia Di Renzo (Samba)

  14. Batuka Ay Ay Ay – A. Olivato (Samba)

  15. Baia – Mattia Di Renzo (Samba)

  16. Guatemala – A. Olivato (Samba)

2. CHA CHA (CH) — Sharp, Syncopated Agility & Crisp Percussive Snap

  1. Club De la Habana – A. Olivato (Cha Cha)

  2. Bass Up – Mattia Di Renzo (Cha Cha)

  3. Oye Como Va – Tito Puente (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Cha Cha)

  4. Cmon – Mattia Di Renzo (Cha Cha)

  5. Quiero Tu Amor – A. Olivato (Cha Cha)

  6. Dance Monkey – Tones And I (Arran. by Mattia Di Renzo) (Cha Cha)

  7. I Don’t Lose You – A. Olivato (Cha Cha)

  8. Latino – M. Di Renzo (Cha Cha)

  9. 2 3 Cha Cha Cha – A. Olivato (Cha Cha)

  10. Freed From Desire – Gala & Molella (Arran. by Mattia Di Renzo) (Cha Cha)

  11. Little helper – M. Di Renzo (Cha Cha)

  12. Donde estas Yolanda – M. Jimenez (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Cha Cha)

  13. On A Beat – M. Di Renzo (Cha Cha)

  14. Shake Your Body – M. Di Renzo (Cha Cha)

DISK 2 — RUMBA, PASO DOBLE & JIVE

3. RUMBA (RB) — Deep Suspended Weight Transfer & Intense Passion

  1. Con Mi Soledad – A. Olivato (Rumba)

  2. The Lady In My Life – M. Jackson (Arran. by Olivato DanceSport Orchestra) (Rumba)

  3. Fate – M. Di Renzo (Rumba)

  4. Moon Bay – A. Olivato (Rumba)

  5. The Shadow Of Your Smile – J. Mandel & P. F. Webster (Arran. by Olivato DanceSport Orchestra) (Rumba)

  6. Mariel – M. Di Renzo & Nello Paladino (Rumba)

  7. Everything will be Fine – A. Olivato (Rumba)

  8. Piensa En Mi – L. Casal (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Rumba)

  9. Delgada – M. Di Renzo (Rumba)

  10. We Are The World – Usa For Africa (Arran. by Olivato DanceSport Orchestra) (Rumba)

4. PASO DOBLE (PD) — High-Contrast Spanish Drama & Matador Pride

  1. El Gringo – M. Di Renzo (Short Version ‘Espana Cani’ Phrasing, 2 Major Highlights)

  2. Vamos ! – A. Olivato (‘Espana Cani’ Phrasing, 3 Major Highlights)

5. JIVE (JV) — High-Octane Spring Compression & Rapid Floor Velocity

  1. Sultan Of Swing – Dire Straits (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Jive)

  2. I’m The Only One – A. Olivato (Jive)

  3. In The Mood – J. Garland & Manoe (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Jive)

  4. Tico tico – Z. de Arbeau (Arran. by Olivato DanceSport Orchestra Feat. M. Di Renzo) (Jive)

  5. You Don’t Know – M. Di Renzo Feat A. Olivato (Jive)

  6. La Grange – F. L. Beard, D. Hill & B. Gibbons (Arran. by Olivato DanceSport Orchestra) (Jive)

Technical Coaching Pro-Tip from the NDMI Sound Engineers

Mastering Multi-Layered Syncopation and Electronic Sub-Bass Isolation: The primary technical trap for open-level partnerships when dancing to a cutting-edge, massive compilation—such as the hybrid electronic and rock arrangements across this Latin We Are The World double-album—is “acoustic distraction.” Because iconic tracks like Dance Monkey, Freed From Desire, or Sultans Of Swing feature rich, soaring vocal overlays and highly energetic instrumental leads, dancers frequently track their physical timing to the higher frequency components, causing their hip actions to look rushed, frantic, and floating off the floorboards.

To project elite championship authority, your partnership must utilize metronomic sub-bass floor locking. Treat the sweeping vocals and rock hooks purely as an artistic atmosphere designed to color your upper thoracic extensions, gaze lines, and expressive arm styling. Your lower engines—the standing feet, ankles, and knees—must look directly past the acoustic highlights and lock strictly into the low-frequency rhythm grid (the heavy conga strokes, driving basslines, and electronic sub-bass pulses balanced perfectly at the bottom of these NDMI master recordings). Compressing into the floorboards to drive massive pelvic depth before releasing your kinetic actions is the absolute secret to projecting profound structural stability and flawless competitive timing.

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